可以说那些上口字都是需要初学京剧的人特意学习、逐个加以记忆的字音，虽然多是原来就熟悉的字。所谓“上口”，反为“棘口”了。
可以説那些上口字都是需要初學京劇的人特意學習、逐個加以記憶的字音，雖然多是原來就熟悉的字。所謂“上口”，反為“棘口”了。
kě yǐ shuō nà xiē shàng kǒu zì dōu shì xū yào chū xué jīng jù de rén tè yì xué xí ， zhú ge jiā yǐ jì yì de zì yīn ， suī rán duō shì yuán lái jiù shú xī de zì ． suǒ wèi “ shàng kǒu ” ， fǎn wèi “ jí kǒu ” le ．
We can say that those characters with traditional operatic pronunciations have pronunciations that have to be deliberately learned and memorized one by one by beginners in Peking opera even though most of them are originally familiar characters. The so-called "easy to read" characters have instead become "hard to read".