上聲 [-声]
Jyutping
soeng6 sing1
Pinyin
shǎng shēng
上聲 [-声]
Jyutping
soeng5 sing1
Pinyin
shàng shēng
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noun, Chinese
rising tone (one of the four tones in Middle Chinese, also a tone in various modern varieties, e.g. tone 3 (/˨˩˦/) in Standard Mandarin (marked with a caron [ ˇ ] in Hanyu Pinyin and bopomofo), tone 3 in Meixian Hakka (/˧˩/), and tone 2 in Xiamen/Taiwanese Hokkien (/˥˧/))
上聲 [-声]
Jyutping
soeng5 sing1
Pinyin
shǎng shēng
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falling and rising tone
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third tone in modern Mandarin
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名詞、術語
漢語系語言嘅傳統嘅聲調種類,係四聲之一,字面上指字音聲調高昂,喺傳統詩律入面屬於仄聲;而家嘅「上聲」喺各地語言入面唔一定係高昂、上升嘅聲調,而喺粵語入面就分咗做陰上同陽上兩組,分別歸入第二聲同第五聲。
the rising tone category in Chinese languages (despite its name the actual pitch varies across languages, not necessarily rising)
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Mandarin
虽然次浊上声读阴平的字例,不限定客语才有,台山话和江西新淦话也有同样现象,但他们的字较少。
雖然次濁上聲讀陰平的字例,不限定客語才有,台山話和江西新淦話也有同樣現象,但他們的字較少。
suī rán cì zhuó shǎng shēng dú yīn píng de zì lì , bù xiàn dìng kè yǔ cái yǒu , tái shān huà hé jiāng xī xīn gàn huà yě yǒu tóng yàng xiàn xiàng , dàn tā men de zì jiào shào .
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Mandarin
这是因为这个‘块’字在四川分类上是个例外。它把北平的去声字归入上声,所以改错了。
這是因爲這個‘塊’字在四川分類上是個例外。它把北平的去聲字歸入上聲,所以改錯了。
zhè shì yīn wèi zhè ge ‘ kuài ’ zì zài sì chuān fēn lèi shàng shì ge lì wài . tā bǎ běi píng de qù shēng zì guī rù shǎng shēng , suǒ yǐ gǎi cuò le .
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This is because kuai 塊/块 (kuài) is an anomaly in terms of its Sichuan[ese] [tonal] category. He treated a Beijing tone 4 character as tone 3, and thus made an improper correction.
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Mandarin
上声与非上声(阴平、阳平、去声)相连,上声调值由214变为半上声21。
上聲與非上聲(陰平、陽平、去聲)相連,上聲調值由214變為半上聲21。
shǎng shēng yǔ fēi shǎng shēng ( yīn píng , yáng píng , qù shēng ) xiāng lián , shǎng shēng diào zhí yóu 214 biàn wéi bàn shǎng shēng 21 .
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When a character to be read with a rising tone is preceded by a character that is not read with a rising tone (dark level tone, light level tone, or departing tone), the rising tone tonal value changes from 214 into a half rising tone tonal value of 21.
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Mandarin
上声在阴平、阳平、去声、轻声前,即在非上声前,丢掉后半段“14”上升的尾巴,调值由214变为半上声211,变调调值描写为214-211。
上聲在陰平、陽平、去聲、輕聲前,即在非上聲前,丟掉後半段“14”上升的尾巴,調值由214變為半上聲211,變調調值描寫為214-211。
shǎng shēng zài yīn píng , yáng píng , qù shēng , qīng shēng qián , jí zài fēi shǎng shēng qián , diū diào hòu bàn duàn “ 14 ” shàng shēng de wěi ba , diào zhí yóu 214 biàn wéi bàn shǎng shēng 211 , biàn diào diào zhí miáo xiě wéi 214 211 .
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When a character to be read with a rising tone is preceded by a character that would be read with dark level tone, light level tone, departing tone, or neutral tone, that is to say, whenever such a character is found before any character that is not read with rising tone, the normally-expected rise in tone at the tail-end of the rising tone from 1 to 4 in the last half is eliminated. The tonal value changes from 214 into a half rising tone tonal value of 2 11. This is expressed in written form as a change from 214 to 211.